- United Kingdom
- South Africa
- South Korea
- Puerto Rico
- North America
- United States
- Central America
- Costa Rica
- Latin America
Vallerie Muthoni raps with the conviction of legends like Foxy Brown and “Left Eye” Lisa Lopes. Delivering subversive content and controversial quips with a smile, laughs and cracks jokes in a collection of dialects, setting up stories in English before the punchlines come in Swahili, drawing listeners into her youthful world and then hitting them with a wisdom that belies her years. Collaborating on the playful energetic, track “Brown Suga”, producer Kahealbeats brings out the best in Muthoni, demonstrating his ability to enhance and evolve his artists’ vocal delivery as Muthoni finds melodic pockets in his hard-hitting beat. “Brown Suga” is the first release off of Muthoni’s upcoming EP “the Wavey Soul.”
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Danish trio CHINAH’s experimental R&B sound is delivered with artistic minimalism on their debut LP. Fine Glindvad, Simon Kjær and Simon Andersson originally formed in 2014 as a folk outfit before branching out and making waves with a number of dark synth-pop hits, drawing inspiration from off-kilter duo Smerz. Throughout the creative process behind “ANYONE”, lead singer Glindvad took the unorthodox approach of both writing and recording her vocals whilst fully horizontal on a sofa, capturing the natural fluidity and reflective intimacy that provides the essence of the album.
Fopchu are a three piece electronic band from New Delhi who create alternative music unlike any other band in India. Their effervescent sound evokes a loopy ride through time with synthesisers, samples, and a rhythmic guitar-driven groove, in an intoxicating brew of charismatic vocals drawn from soulful blues, jazz and gufunktry chants. The band explores the ominous world outside with their debut EP ‘Milk Bred’; an amalgamation of funk and rock, lead single ‘The Undulating Brood Swing’ sounds exactly like the title suggests, riddled with a contagious bounce that’s guaranteed to get you moving.
Today we take a look back 18 years, to recall a jewel from legendary Mexican duo Plastilina Mosh. Founded in 1996 by Jonas González and Alejandro Rosso, the band released their second album “Juan Manuel” in 2000; a 13-track masterpiece, the album features a diverse range of sounds that make it almost impossible to classify by genre, mood or language whatsoever, with lyrics in English, Spanish, German, Italian and Portuguese.
The journey begins with “Nordic Laser”, an entirely instrumental krautrock piece, perhaps the simplest piece of the album before the madness is unleashed; the grooves of “Boombox Baby” and “Bareta 87” give the album a retro dancefloor sensation, drawing on Giorgio Moroder-esque richness, while “Shampoo” and “Aropador” are subtle and seductive and the likes of “International Stereo (Bassass)” and “Let The Speaker Speak” demonstrate a raw aggressive energy.
A classic record that is powerful, unpredictable, and truly timeless.
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Five-piece indie/nu-wave band Device have been shaking up the Filipino music scene since their formation in 2015. Formed by a group of friends studying together at university, the band emerged with their debut EP “The Element of Surprise” a name originally taken from one of their first demos. True to its title, the record catches listeners off-guard with a distinctive blend of traditional instruments and electric synths to create a textured, dynamic sound.
HAON celebrated the release of his debut project last month, encapsulating the development of a talented newcomer with huge potential. The winner of Korean hip-hop TV competition “High School Rapper Season 2”, the 18-year-old demonstrated ambitious determination and a youthful spirit to impress audiences across the nation, and has transitioned from amateur to professional rapper with ease. His first EP ‘TRAVEL: NOAH’ alludes to the biblical figure of Noah (also conveniently HAON’s name spelled backwards), as he describes his journey across seven songs. On the titular opening track, HAON delivers his mischievous vocals over a Latin-infused melody, holding his own as he ably exchanges verses with elite Korean stars Jay Park and Hoody.
Esther Kirabo is a Swedish singer-songwriter and producer whose musical journey began when she joined a church choir at the age of six, learning to play drums and honing her vocal skills. Fast-forward to 2017, and her debut single ’Kill U’ was released to the world; a song about insufficient love, it showcases the power of the 23-year-old’s graceful voice, and attracted significant attention leading to a performance at the Swedish Grammy Awards. The track’s B-side ‘Blunt’ is inspired by Shakespeare’s classic tale ‘Romeo & Juliet’, with production blending an early 00’s garage sound with more contemporary upbeat R&B. As fans eagerly await new music, the excitement builds around this distinctive talent.
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Brussels trio L’Or du Commun are gathering momentum. “Sur ma vie”, the second effort from their forthcoming album ‘Sapiens’ scheduled to release this fall, sees Loxley, Primero and Swing deliver an inspirational message of manifesting ambitions and achieving success. The Belgian group is steadily developing their sound, with lively flows, sharp bars and an uninhibited sense of humour that will no doubt give them the keys to their own success.
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Ape Echoes represent the creativity of the nascent Indian independent music scene. The brainchild of Mumbai based producers and multi-instrumentalists Nirmit Shah and Sid Shirodkar, the project sees the pair combining traditional acoustic and electronic instrumentation with experimental sampling, weaving together a complex immersive musical narrative. The duo formed in early 2016, with drummer Sahil Shah joining soon after, and their debut EP ‘Ape Machines’ was released in August 2017, moving through territories influenced by crossover jazz, electronica, noise, hip-hop, prog-rock, funk, and soul to create a distinctive original sound.
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In the Aymara language, “Churupaca” is a giant adaptable, multi-talented insect that can swim, fly, jump and hunt, amongst other skills; thus, the Buenos Aires neo-orchestra found the perfect name for their project. Formed by a diverse group of musicians of various disciplines, Churupaca stand out for their acoustic sentimentality and the romanticism of their lyrics. Together, members Juana, Fefo, Ricardo, Darío, Joaquín and Pablo gave birth to their second record this year, entitled “Antes de Mañana” (“Before Tomorrow” in English). The fifteen-track masterpiece guides us on a journey through countless textures and styles from across Latin America and the world, with folk and soul influences alongside classic elements of the tango, burlesque and waltz. The album’s instrumental exuberance is defined by the dramatic qualities of the wind and string sections, the sumptuous accordion melodies and Juana’s emotive, longing vocals, creating a rich, multi-layered body of work to be savoured.
“Oh Wah” is a powerhouse collaboration between Kenyan artist Blinky Bill and Nigerian singer-songwriter Nneka. Featured on Bill’s new album “Everyone’s Just Winging It And Other Tales”, the song showcases his rich production skills, as a heart-wrenching blend of echoing guitars, tribal chanting and driving percussion interweave beneath lyrics crying out for peace. The chemistry between Blinky Bill’s thick, low voice and cryptic wordplay and Nneka’s husky voiced howls creates a distinct energy, making for an infectious anthem with an important message from an African perspective.
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French duo Terrenoire take their name from the Saint-Etienne district in which they grew up. On their debut EP, the duo bewitchingly tells the story of their odyssey to the capital, “the City” as they call it, alongside the irrepressible attraction that brings them back to their hometown. The two brothers Raphaël and Théo chase their utopian “Black Paradiso”, as they elegantly explore their childhood through surreal poesy and moving productions between electronic hip-hop and French chanson.
Murkage Dave’s long-awaited debut album has been well worth the wait. Across 14 tracks, the east Londoner fuses soulful golden era RnB with UK grime and garage sounds in allusion to his origins as a successful DJ, as bumping percussion and warm strings draw comparisons to long-time collaborator Mike Skinner and The Streets. Driven by his distinctive socially aware witty lyricism, Dave’s gentle crooning melodies are delivered in hushed tones like reflective asides muttered from the back of the night bus home from the club, as his melancholic introspections channel the loneliness of a hedonistic life on the road between events into a muted morning-after mood that is sombre yet refreshingly honest throughout, leaving a surprisingly uplifting afterglow.
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Claire Mortifee’s debut album “Medicines” possesses several gems and her collaborative track “No Rollies” with David Morin is one of the smoothest. The combination of Mortifee’s songwriting and Morin’s sweet vocals make for a timeless cut, with all the softness of old school R&B melodies, as harmony stacks and the suspense of a standout bridge bump against a warm fat bassline and shamelessly sassy snare hits. Active in her hometown community of Toronto, Mortifee pops up often in California for her uniquely dynamic live shows, displaying her depth of lyrical delivery and showcasing the physicality of her music as she snakes across the stage in metallic spandex with an endless smile and powerfully natural magnetism.
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Seedhe Maut represent the next stage in the evolution of Delhi’s hip-hop sound. Comprising of rappers Encore ABJ and Calm, the duo dole out verses packed with social and political commentary, mastering the art of sharp, antagonistic and inventive rhymes through their rapid-fire delivery in both English and Hindi. The first single from their upcoming debut album ‘Shaktiman’ is produced by Sez On The Beat, and constitutes a fiery declaration of working class struggles; riffing off the metaphor expressed in the cult Indian TV series of the same name, the track imparts an underlying emancipatory message of self-belief, encouraging listeners to break free from the shackles of everyday life and empower themselves.
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Mopiano takes the definition of DIY as a serious matter. The rising Swedish artist writes and produces all of his work; starting out creating his own music from his bedroom back in 2012, he found it hard to find artists who could adapt the sound that he created, so he started to sing by himself. He went on to work on projects such as DEXYxMO, best known for the hit song ‘Project X’ and is currently active with his debut EP ‘Late Night Outdoor’. Newly-released single ‘Undercover Paper Chaser’ is as smooth as the name of the title, with a beat to make even the stiffest dancer move and a melodic blend of sung and rapped vocals. What’s for certain is that this is only the beginning for Mopiano and his home-cooked smooth bangers.
‘La Niña Quantica’ Julián Mayorga, is a perfect example of the enigmatic Colombian producer’s ingenious, surrealist creations. The “cumbia” begins and a continued mantra that spouts: “A la niña le gusta la física cuántica (the girl likes quantum physics)”; unexpectedly, the lyrics also describe the function of the theory of perturbations in quantum mechanics. With such irreverent themes in his writing, this track from his 3-track EP “Nixon en la Playa” uses tropical elements and Andean folklore alongside progressive electronic experimentation and a somewhat black humor, the most characteristic elements of Mayorga’s sound,
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Nairobi based artist Loa Myst drops her debut single “In The Waters”, a soulful blend of synths and live instrumentation side chained to the pulsing heartbeat of minimalist drums and a surprising bassline that slides across an intricately layered sonic collage. Myst’s voice is strong, smoky, soothing and sweet all at once, switching effortlessly from rich RnB melodies to percussive rap breakdown as the track’s production morphs fluidly as the track progresses; the song is produced by Kenyan artist Nu Fvnk, a co-founder of the fast growing Producer/DJ collective, EA Wave, producing an eclectic cross section of some of the most alluring alternative pan-African artists. The pair’s full length collaborative EP “WADE” is set for release in November 2018.
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Danish synth-pop duo GENTS are uniting the retro energy of the 80’s with a forward-thinking approach to create emotional, futuristic music. The band consists of Theis Vesterløkke’s productions and Niels Fejrskov Juhl’s warm, deep vocals, combining to create a distinctive rich sound; their latest release ‘Moments’ serves up a pair of airy, Bowie-esque songs with a consistent melancholic tone, building anticipation for their next moves in 2019.
Otura Mun, an African-American musician and Babalawo (high priest) in the Yoruba religion arrived in Puerto Rico in the late nineties, and quickly positioned himself as one of the most important producers on the island. Accompanied by musicians Rafael Maya, Beto Torrens, Anthony Sierra, Yarimir Cabán and dancer Pia Love, Mun founded the multi-national project ÌFÉ, a powerful progressive synthesis of electronic sound drawing on influences from Cuban rumba, Sacred Yoruba praise songs, Jamaican dancehall, and US R&B. IIII+IIII (pronounced “Edgy-Og-Beh”) is the title of the nine-song debut album from ÌFÉ, released last year. The 45-minute ceremony combines Mun’s fluid, percussive rhythms with spiritual lyricism oscillating seamlessly between English, Spanish and Yoruba. Genre-less yet focused and clear, serene and ethereal at times and determined and powerful at others, this is a record that in spite of its high production values is as unpredictable as it is natural and raw – an astonishing piece of music from a truly unique act.