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RMBO began his career as founding member and drummer of the critically acclaimed South African rock band BLK JKS. Born Tshepang Ramoba, his second EP ‘Zone 3’ is a six-track electronic afro-house journey with catchy kwaito choruses and an exquisite selection of vocalists from the southern African region, including musicians from Malawi and Lesotho as well as his native South Africa. Opening track Bona Bona features Radio 123’s Scarface Manolo and Lesotho’s shepherd musician, Morena Leraba, who also features on ‘Mzabalazo’, a kwaito-driven track with skittering drums and buzzing synths. RMBO explains that “‘Mzabalazo’ (or ‘mosabalaso’ in a Sesotho tone) is a borrowed word from the South African liberation struggle and it’s synonymous with rebellion/revolt or rather, a word coined originally in South Africa, toyi-toyi.”
As his name suggests, Jamaica’s Alexx A–Game never comes with anything less than 100%. His own smooth brand of dancehall is infused with influences of classic RnB and hip-hop, creating a slick, soulful sound that allows him to showcase the strength of his sweet vocals and motivational lyricism. After three successful releases on UK-based label Swing Ting including last year’s standout Braver, he returns with his first release of the year ‘Go Harda’, a steady groove with an uplifting message.
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Over the last few years Parisian artist Myth Syzer has built a reputation as one of France’s finest hip-hop producers . On his debut album ‘Bisous’ he rises to the challenge of using his own voice on his beats for the first time, creating a melancholic yet sensual style inspired by 90s French pop and using the music as a therapeutic means to move on from a painful break-up. On Full Metal, the beatmaker links up with Aja of rock band La Femme to deliver a smooth, passionate lullaby, imploring a lover not to leave.
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Ethiopian-American artist Kelela’s first entrance came in 2013 with her mixtape ‘Cut 4 Me’; since then, hundreds of thousands of listeners have gravitated towards her masterful ability to fuse pop and RnB with elements of modern cinematic sounds and neo-soul. Take Me Apart, her 2017 debut studio album, received critical acclaim for its original sound and refreshing energy; standout track ‘Frontline’ demonstrates the breadth of Kelela’s range, with choppy raps acting as a powerful contrast amongst airy, effortless vocals. Since her youth, Kelela’s Ethiopian roots and perspective on music and freedom of movement has influenced her nomadic style and unique approach.
South London artist Gregor the Blue has honed his unique sound over the last few years; a classically trained violinist as a child, he taught himself to play guitar and keys, and soon his bedroom productions started to accumulate a substantial online following. Gregor’s new EP builds on the themes of his 2016 debut album ‘Estate’, taking up where the last project left off in conjuring the same distinctive moody, swirling world but adding a sharper, electronic edge, as the 24-year-old’s sound has matured; tackling themes of longing and insecurity as well as his struggles with darker emotions, the tape is tied together with his trademark woozy, after-hours atmosphere. Enlisting guest vocals from rappers Ant Lavelle and Carl Blarx as well as a feature from long-time collaborator Thieta on lead single Faults, he incorporates elements of alternative blues, ska, RnB and contemporary hip-hop together to create a nuanced, unique sound with genuine depth and texture.
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Born and raised in Nairobi, RU.BY has been singing professionally since 2016. Few young artists in the city are able to say that their first release was the result of a collaboration with one of Kenya’s most well known artists and a highly respected pioneer of East Africa’s alternative/indie music scene, but the co-sign of Blinky Bill comes as little surprise given her confident delivery and natural knack for melody and playful rhythms. She cites the overwhelmingly positive reception of that debut song as the reason she was encouraged to keep creating, inspired by the “amazing journey of self discovery and mind blowing interactions with people” provided by her new path in the music industry.
With ‘Rival’, Sudanese artist Hiba Elgizouli has proven herself to be one of 2018’s most exciting talents to watch. The track seamlessly transfuses the classic neo-soul sound with distinctly Sudanese intonations and patterns, as Hiba’s ethereal incantations coming from all directions illustrating an internal conflict and conversation. This style is hugely reminiscent of classic Sudanese music, which makes heavy use of responses from a choir to the lead singer. The track’s stunning accompanying visuals boast the art direction and cinematic directing talents of Hiba’s sisters, May and Sally Elgizouli, adding an entirely new dimension to the song and revealing the beauty of Sudanese culture and tradition.
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After the success of his 2017 debut album ‘blkswn’, St. Louis rapper Smino returns with his first single of 2018. The track sees him delivering his distinctive melodic falsetto vocals and trading slick verses with Chicago’s Mick Jenkins over a slow, bumping groove produced in collaboration with with THEMpeople. The contrast between the two lyricists style is a lethal combination, Jenkins’ smooth, laidback flow serving as the perfect complement to Smino’s unorthodox, staccato energy, skipping across pockets in the distorted beat as the infectious bassline keep the listener’s head knocking.
Karun is a musical chameleon within contemporary African culture, bridging the alternative Kenyan scene with an approachability appreciated by her increasingly global audience. First finding fame in her teenage years, as a member of Nairobi hip-hop group Camp Mulla, after the group parted ways in 2013 she embraced her capability to write songs, play instruments and produce, and enrolled in Berklee College of Music in the US as an electronic music major. She collaborated with Kenyan producer collective EA Wave on the ‘Indigo’ EP in 2016, and on returning home she co-founded the collective Cosmic Homies, becoming a key player in the burgeoning ‘Nu-Nairobi’ scene. Occasionally using the alternative moniker ‘Runka’ (created by scrambling the letters of her birth name), she self-produces a large part of her own work but often collaborates with other innovative artists, as heard here in this track ‘Under’ with Mr.Lu.
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Paris neo-pop group Isaac Delusion pay tribute to French rock legend Eddy Mitchell with a stirring version of 80s classic ‘Couleur Menthe À L’Eau’. The mysterious quintet inject a new elegant electronic ambience to the original track, which tells the tale of a shy man intimidated by the charms of a mint-eyed woman being carried away by the Hollywood dream.
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West London hip-hop artist Lava La Rue returns with another smooth banger. Blessing a timeless old-school groove with her own refreshingly distinctive style, the NiNE8 founder showcases her skill and versatility on the track, equally comfortable dishing out bars on the verse as she is handling soulful melodies on the hook. Taken from her forthcoming EP ‘LETRA’, this is one to simply lean back and enjoy.
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Combining a unique mixture of rumba, funk and hip-hop, veteran Belgian rapper Baloji’s new album ‘137 Avenue Kaniama’ infuses its irresistible groove with an introspective, soulful core. Drawing inspiration from his unique journey, juggling between Brussels and Kinshasa, between French and Lingala, between loving and leaving, he cultivates his original sound through drawing contrasts and parallels between his experiences, bringing us into his complex world of conflicting feelings.
Mx Blouse doesn’t hold back on their latest release. Embodied in the title, the Zulu word for ‘idiot’, Blouse laments people whose idiotic behaviour serves to hinder the freedom of those who are trying to live their lives and have a good time. As always, the Johannesburg artist endeavours to keep their content socially critical and relevant, while ensuring that the music is a party starter too.
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Reservoir’s Theodor Black returns with his sophomore EP. The south-east London rapper approaches themes of race, romance and the transition of growing into adulthood, weaving his trademark rich lyricism over staccato, jazz-infused production. Setting the tone from the titular opening track, the project’s distinctive hazy, dream-like atmosphere is the perfect sound for his vivid introspective bars, painting a picture of the world through his lens.
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Kenyan musician Kato Change’s distinctive sound is the product of a unique combination of influences. While his nuanced guitar licks and elaborate playing style indicate a jazz background, he often strays into rock territory and flirts with classic hip hop and R&B grooves. His signature sound is marked by his own, original hybrid guitar tuning, drawing from traditional African instruments, blues scales and elements inspired by his time touring in Brazil.
‘Mr. Music Man’ features trumpet player Owuor Arunga and singer Lisa Oduor-Noah (whom Kato cites as “his favorite Kenyan vocalist”), and gives a perfect example of Kato’s adventurous collaborations, pairing his instrumentalism with vocalists and artists who stretch across various styles. The track provides a snapshot of how musical worlds collide in the contemporary Kenyan scene, where gifted artists from different disciplines come together to produce fascinating original music.
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Stockholm’s Cherrie is back at it once again. After the viral success of last year’s anthem ‘163 För Evigt’, the Swedish-Somali singer returns to deliver another smooth dose of R&B. An empowering testament to feminine strength and a declaration of love to family and friends, Cherrie’s honeyed vocals are the track’s driving force, creating a sound reminiscent of the early 00’s golden era, yet with a slick modern sheen.
rkls – pronounced ‘reckless’ – is the brainchild of producer duo Kid Fonque and D-Malice, uniting their different cultural backgrounds (South Africa and the UK respectively) under a common love of rich neo-soul and hip-hop. Their debut album ‘Self Titled’ is a transcendent fusion of styles, effortlessly moving from classic soulful ballads to uptempo dancefloor-ready beats, and features a diverse variety of guest appearances such as LA’s broken beat visionary Marc De Clive-Lowe and hip-hop legends John Robinson and Kev Brown, as well as a host of dazzling new vocal and production talent from South Africa – Sio, Melo B Jones, Daev Martian and White Nite to name but a few.
Grammy-nominated producer Gwen Bunn takes an official step out all on her own with her debut solo project ‘Safe Travels’. Incorporating rich jazz and funk influences, ‘Yours’ is the the stand out track on the eight-track EP, a soulful affair filled with sultry vocal tenderness exploring themes of desire and commitment.
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South African artist Muzi has spent the last few years honing his unique sound. Though refreshingly forward-thinking, his hard-hitting sonic approach remains deeply inspired by his upbringing, a tale of striving through adversity in the semi-rural township of Empangeni in KwaZulu-Natal.
From euphoric electronica to classic zulu sounds, he delicately balances traditional African music with contemporary western influences; his latest release, his second album ‘Afrovision’ is a bold, fluid fusion of elements of kwaito, afrobeat, RnB and pop. Woven through each track is a clear purpose to redefine how modern dance music can sound, embodied in lead single ‘Chocolate Dreams’ featuring fellow South African vocalist Una Rams and Nigerian singer Saint Seaba.
LVRN/Interscope’s newest R&B starlet, Summer Walker, dazzles with her earworm of a debut, ‘CPR’. With classic instrumentation, smooth production and her own raw approach towards songwriting, the Atlanta native is creating music that captivates listeners with her sultry vocals and alluring melodies.