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Seedhe Maut represent the next stage in the evolution of Delhi’s hip-hop sound. Comprising of rappers Encore ABJ and Calm, the duo dole out verses packed with social and political commentary, mastering the art of sharp, antagonistic and inventive rhymes through their rapid-fire delivery in both English and Hindi. The first single from their upcoming debut album ‘Shaktiman’ is produced by Sez On The Beat, and constitutes a fiery declaration of working class struggles; riffing off the metaphor expressed in the cult Indian TV series of the same name, the track imparts an underlying emancipatory message of self-belief, encouraging listeners to break free from the shackles of everyday life and empower themselves.
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Mopiano takes the definition of DIY as a serious matter. The rising Swedish artist writes and produces all of his work; starting out creating his own music from his bedroom back in 2012, he found it hard to find artists who could adapt the sound that he created, so he started to sing by himself. He went on to work on projects such as DEXYxMO, best known for the hit song ‘Project X’ and is currently active with his debut EP ‘Late Night Outdoor’. Newly-released single ‘Undercover Paper Chaser’ is as smooth as the name of the title, with a beat to make even the stiffest dancer move and a melodic blend of sung and rapped vocals. What’s for certain is that this is only the beginning for Mopiano and his home-cooked smooth bangers.
‘La Niña Quantica’ Julián Mayorga, is a perfect example of the enigmatic Colombian producer’s ingenious, surrealist creations. The “cumbia” begins and a continued mantra that spouts: “A la niña le gusta la física cuántica (the girl likes quantum physics)”; unexpectedly, the lyrics also describe the function of the theory of perturbations in quantum mechanics. With such irreverent themes in his writing, this track from his 3-track EP “Nixon en la Playa” uses tropical elements and Andean folklore alongside progressive electronic experimentation and a somewhat black humor, the most characteristic elements of Mayorga’s sound,
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Nairobi based artist Loa Myst drops her debut single “In The Waters”, a soulful blend of synths and live instrumentation side chained to the pulsing heartbeat of minimalist drums and a surprising bassline that slides across an intricately layered sonic collage. Myst’s voice is strong, smoky, soothing and sweet all at once, switching effortlessly from rich RnB melodies to percussive rap breakdown as the track’s production morphs fluidly as the track progresses; the song is produced by Kenyan artist Nu Fvnk, a co-founder of the fast growing Producer/DJ collective, EA Wave, producing an eclectic cross section of some of the most alluring alternative pan-African artists. The pair’s full length collaborative EP “WADE” is set for release in November 2018.
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Danish synth-pop duo GENTS are uniting the retro energy of the 80’s with a forward-thinking approach to create emotional, futuristic music. The band consists of Theis Vesterløkke’s productions and Niels Fejrskov Juhl’s warm, deep vocals, combining to create a distinctive rich sound; their latest release ‘Moments’ serves up a pair of airy, Bowie-esque songs with a consistent melancholic tone, building anticipation for their next moves in 2019.
Otura Mun, an African-American musician and Babalawo (high priest) in the Yoruba religion arrived in Puerto Rico in the late nineties, and quickly positioned himself as one of the most important producers on the island. Accompanied by musicians Rafael Maya, Beto Torrens, Anthony Sierra, Yarimir Cabán and dancer Pia Love, Mun founded the multi-national project ÌFÉ, a powerful progressive synthesis of electronic sound drawing on influences from Cuban rumba, Sacred Yoruba praise songs, Jamaican dancehall, and US R&B. IIII+IIII (pronounced “Edgy-Og-Beh”) is the title of the nine-song debut album from ÌFÉ, released last year. The 45-minute ceremony combines Mun’s fluid, percussive rhythms with spiritual lyricism oscillating seamlessly between English, Spanish and Yoruba. Genre-less yet focused and clear, serene and ethereal at times and determined and powerful at others, this is a record that in spite of its high production values is as unpredictable as it is natural and raw – an astonishing piece of music from a truly unique act.
Mumbai-based MC and producer Tienas is a breath of fresh air in the city’s hip-hop community. Bringing to the forefront a Nujabes-inspired sound that hasn’t been seen before in a region dominated by ‘gully rap’, Tienas’ ability to craft together complex narratives on fluctuating, chaotic beats has earmarked him as one of the most interesting new artists to emerge on the Indian independent music scene this year. His debut mixtape ‘Unavailable’ is a brazen showcase of his mercurial talent, oscillating between old school, chaotic hip-hop beats and a future-soul sound that showcases his songwriting ability. The project was released to widespread critical acclaim, and a show-stopping performance at the Azadi Records Roster Showcase has ramped up anticipation for his debut full-length album, scheduled for release next year.
Amidst the growing popularity of the dark, late-night sound in the Philippines’ emergent scene, Alisson Shore’s blissful falsetto and sweet harmonies stand out amongst the crowd. A producer/singer songwriter in Manila, he identifies his style to be a mix of lo-fi R&B and futuristic pop, reflective of a blend of influences into which latest single ‘Watercolor’ fits perfectly. Shore uses his vivid songwriting ability to tell a tale of failed relationships and bad chemistry, using a painting motif to explore the “symbolism of two non-identical colors that when blended in, no matter how hard we mix or add/lessen, it just doesn’t seem to look or blend well.”
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After meeting at fine art college, Clara Cappagli and Armand Bultheel quickly bonded over their shared love of trance music, and began writing music together as Agar Agar, leading to the release of their breakout 2016 EP ‘Cardan’. Since then, they’ve built a dedicated fanbase through their distinctive sound and impassioned live shows, and they’ve consolidated this ascendance on their debut full-length album ‘The Dog and the Future’. Singer Clara Cappagli’s delicate vocals flits over sultry, down-tempo disco beats, progressing from their established dancefloor territory into darker introspective themes as her lyrics tackle ideas of virtual reality and simulated life. Sonically, the album is filled with fat, squelching synths and booming drum machines, condensing the murky energy of classic techno and electro to build a mysterious after-hours atmosphere driven through by indie pop structures and melodies. From brooding opener “Made” to standout tracks like the sinister “Fangs Out” and irresistible hit “Lunatic Fight Jungle”, the record is filled with unique gems, marking the body of work with a depth that underlines the development of this truly original act.
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Korean duo Offonoff met at university, and developed such chemistry in their musical collaborations that they decided to drop out of school together. Comprised of vocalist Colde and producer 0channel, the pair released their official debut single ‘Bath’, and Colde has now made his solo debut with a project called ‘Wave’. Crossing multiple genres, the enterprising singer’s drowsy but absorbing voice has a unique quality to draw in the listener and create an easy, laid-back atmosphere; lead single ‘Sunflower’ sees Colde’s murmuring voice spinning a relaxed melody, describing his adoration towards his crush with a hazy energy reflected in the song’s visuals.
Kumail is a musician from Mumbai, India with an experimental electronic sound. His music stems from a myriad of influences, particularly jazz and hip-hop, while exploring more ethereal regions through heavily manipulated live recordings with atmospheric synths, meticulously panned rhythm sections and vocals forming the fundamental characteristics of his live performances. His album ‘From You To Blue’ was released in March 2017 on Knowmad Records. The project is about the end of relationships; addressing these experiences was something Kumail had never done before, giving birth to a new sound through his inner exploration.